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| Day/week | Date | Activities |
|---|---|---|
| Thursday | Nov/1 | Dismantling previous experiment. ESA setup preparation starts 10am. |
| Friday | Nov/2 | Day: preparation / Night: first beam ~9pm |
| Saturday | Nov/3 | Day: beam run / Night: MD, no beam to ESTB |
| Sunday | Nov/4 | Day: ESTB beam / Night: no ESTB beam |
| Monday | Nov/5 | Day: ESTB beam / Night: no ESTB beam |
| Tuesday | Nov/6 | Day ESTB beam / Night: no ESTB beam |
| Wednesday | Nov/7 | Day: ESTB beam until ~11pm end of period |
Main goals:
- Test 4 RD53A single chip modules with different types of planar sensors from LBNL and SLAC.
- Characterize spatial resolution for difference pixel sizes 50x50 and 25x100, different active thickness 100um and 150um.
- Absolute charge calibration for MIP hits
- Diagnose L1 time dispersion
- Further studies of different RD53A FE types and efficiencies,
- Commission LBNL cosmic telescope in beam
Preparation items:
1) Support table/platform behind Caladium to prop up the LBNL cosmic telescope of 1x1 foot cross section 3 feet long (with ~2 feet height adjustment).
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Schedule discussion with Carsten: Thursday 9am beam off to dismantle previous expt. SD will meet Carsten 10am at ESA to start process of moving Caladium back on beam line and decide how long a section of the beam pipe should be taken out (next experiment will need them reinstalled). Will also look for the support platform for LBNL cosmic telescope. Also confirmed we need the Wednesday day shift beam at the end.
Oct/31:
Our plan declared at 4:15pm weekly planning meeting. Learnt that the Sunday-Tuesday night shift MEC experiment LU57 is out of the usual ESTB friendly mode for this period with special ultra-stable beam requirement which will take the full 120Hz and not be able to split off 5Hz for ESTB. Friday night shift with XPP is still OK for ESTB, while Saturday-Wednesday Day shifts will have the regular 5Hz 11 GeV beam for ESTB. Friday-Saturday will run with whatever ESTB setup known previously, while Sunday onwards can get dedicated beam tuning from Toni Smith.
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